Vicky Kaushal’s recent release, Chhaava, is performing exceptionally well on the big screen—and for good reason. This film, which depicts the life story, bravery, courage, and valor of the legendary Chhatrapati Sambhaji Maharaj, has etched itself into the hearts of audiences. It is no longer merely a piece of art but has become an emotional experience for everyone. As audiences read and search for more about the legend of Sambhaji Maharaj and his heart-wrenching history, the film’s historical resonance continues to captivate.
ETimes reached out to Sathish Lingayat, a priest and long-time resident of Kasba, Sangameshwar. With deep family roots in this historically rich region, Mr. Lingayat shared some fascinating insights about Sangameshwar, Chhatrapati Sambhaji Maharaj, and the dramatic capture of Raje.
He recounted, “Our Raje had come to Sangameshwar to resolve a dispute between the Yadav brothers, and they had planned their meeting at Sardesai Wada. Chhatrapati Sambhaji Maharaj, along with his wife, Maharani Yesubai, stayed here. However, soon after, the second Senapati of the Maratha Empire, Shrimant Malojirao Ghorpade, who had taken charge after the demise of the first Senapati, Hambirrao Mohite, informed Raje that the Mughals were advancing towards Sangameshwar. Understanding the urgency of the situation, Senapati Maloji urged Raje to leave immediately. Sambhaji Maharaj decided to depart and instructed the Yadav brothers to meet him at Raigad, assuring them that their dispute would be resolved there.
However, the Yadav brothers were displeased and expressed their doubts about receiving justice under Swarajya. Moved by their concerns, Raje chose to stay back in Sangameshwar longer to ensure their grievances were addressed. Meanwhile, he directed Maharani Yesubai to leave for Raigad. The Mughals continued their rapid advance. When they were dangerously close, Malojirao Ghorpade once again warned Maharaj to escape immediately. But Raje, being the true leader he was, refused to abandon his Senapati and decided to stay by his side. What followed at Tulapur and the Vadu River is history—known to all.”
Reflecting on the enduring legacy of Sambhaji Maharaj, Lingayat expressed, “Sambhaji Maharaj’s greatness is so immense that just building a smarak (memorial) is not enough. People must also recognize his literary contributions—the books he wrote and the knowledge he possessed.”
He also spoke about Sardesai Wada, the very place from where Chhatrapati Sambhaji Maharaj was taken away by the Mughals—without anyone in the village realizing that their Raje was being captured.
“The Wada, along with several nearby temples in Sangameshwar, was demolished by the Mughals. It was later rebuilt by the Peshwas, but today, it stands abandoned, neglected, and forgotten. This is a piece of our history that we must preserve and protect.”
In blending cinematic brilliance with historical depth, Chhaava not only entertains but also invites its audience to reflect on the timeless legacy of valor and sacrifice.
